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Jigoku

Description
Shocking, outrageous, and poetic, Jigoku (Hell, a.k.a. The Sinners of Hell) is the most innovative creation from Nobuo Nakagawa, the father of the Japanese horror film. The movie tells the stories of a group of sinners involved in interconnected tales of murder, revenge, deceit and adultery all who meet at the Gates of Hell. 
Actors: Akira Katô,
Akira Katô
Akira Katô
Katsuzô Kitamura,
Katsuzô Kitamura
Katsuzô Kitamura
Rei Ishikawa,
Rei Ishikawa
Rei Ishikawa
Yôzô Takamura,
Yôzô Takamura
Yôzô Takamura
Kimie Tokudaiji,
Kimie Tokudaiji
Kimie Tokudaiji
Jun Ôtomo,
Jun Ôtomo
Jun Ôtomo
Yôichi Numata,
Yôichi Numata
Yôichi Numata 19 July 1924, Okayama, Japan
Minoru Miyake,
Minoru Miyake
Minoru Miyake
Shinji Suzuki,
Shinji Suzuki
Shinji Suzuki
Sakutarô Yamakawa,
Sakutarô Yamakawa
Sakutarô Yamakawa
Yûzô Harumi,
Yûzô Harumi
Yûzô Harumi
...»
Genre: DramaHorror
Director: Nobuo Nakagawa
Nobuo Nakagawa
Nobuo Nakagawa 18 April 1905, Kyoto, Japan
Country: Japan
Release: 1960
IMDb: 6.70
Quality:
Duration: 101 min
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DIRECTORS OF "Jigoku"
Nobuo Nakagawa
Nobuo Nakagawa

18 April 1905, Kyoto, Japan

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CREATORS OF "Jigoku"
Nobuo Nakagawa
Nobuo Nakagawa

18 April 1905, Kyoto, Japan

Ichirô Miyagawa
Ichirô Miyagawa

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ACTORS OF "Jigoku"
Akira Katô
Akira Katô

Katsuzô Kitamura
Katsuzô Kitamura

Rei Ishikawa
Rei Ishikawa

Yôzô Takamura
Yôzô Takamura

Kimie Tokudaiji
Kimie Tokudaiji

Jun Ôtomo
Jun Ôtomo

Yôichi Numata
Yôichi Numata

19 July 1924, Okayama, Japan

Minoru Miyake
Minoru Miyake

Shinji Suzuki
Shinji Suzuki

Sakutarô Yamakawa
Sakutarô Yamakawa

Yûzô Harumi
Yûzô Harumi

Akira Nakamura
Akira Nakamura

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Jigoku
CRITICS OF "Jigoku"
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Ozus' World Movie Reviews
Resource

November 15, 2006

[Director Nobou] Nakagawa dazzles with his stunningly erotic-grotesque visualization of his interpretation of the lower depths.
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Time Out
Resource

November 18, 2006

Shot mostly on bare studio sets with a lighting style even more theatrical than the acting, it feels like a weird piece of fringe theatre in three acts.
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Eye for Film
Resource

July 10, 2007

the film's bleak portrayal of sin and (maybe) redemption is easily adapted to any time, even if Nakagawa's particular version is unimaginable in any decade but the Sixties.
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